There are some verses in the Bible that we studiously avoid thinking about, let alone discuss publicly. They are like repressed memories or family secrets that threaten to cast us back into shame and confusion, to undo the semblance of peace, fellowship and orderliness that we have so diligently cultivated for ourselves.
“Houston, I have a bad feeling about this mission,” says Matt Kowalski as he dances circles around the space shuttle Explorer, which is in orbit around the Earth. His words come early in this fall’s blockbuster film, Gravity, an awe-inspiring work of cinematic art.
Today, when people think of the word “icon,” images of computers and technology come to mind. For centuries, though, the icon—derived from the Greek eikon or ikon—has referred exclusively to images of the divine or sacred.
Trinity Western University has established a new research unit dedicated to the study of a group of popular British authors and thinkers, the Inklings. While the name may not be immediately familiar to many, the most famous members—C.S. Lewis and J.R.R. Tolkien—are certainly household names, conjuring memories of favourite childhood fantasy stories.
At a time when the world is once again gearing up for war, its horrors will be dramatized and brought home in Waterloo Region through an annual three-day international peace conference ending Oct. 19 with a rousing rendition of Benjamin Britten’s War Requiem by a mass choir and symphony.
Hans Werner uses his father’s stories to reflect on questions of autobiography and Mennonite identity in the 20th century. The stories of his father’s (and mother’s) experiences of growing up in difficult circumstances in Stalinist Russia, and their harrowing experiences during World War II, are told from the perspective of the son who is trying to understand his parents.
It’s an unusual place for an exhibition about peace. Instead of in a Mennonite institution, this exhibition is at the Canadian War Museum in Ottawa where permanent exhibit space has row upon row of war machines.
More than a thousand people saw the movie Peace Makers at the Theodorskirch during the first Night of Faith Festival that took place in Basel on May 17.
As Frances Ringenberg, left, a member of the pastoral team of Prairie Street Mennonite Church in Elkhart, Ind., greets Emma Sommers Richards at the celebration of the book about Richards’ ordination, Ringenberg said, ‘You were the first woman pastor I ever saw.’ Richards was pastor of Lombard (Ill.) Mennonite Church, where Ringenberg was a member b
By telling the story of the ordination of Emma Sommers Richards, a new book from the Institute of Mennonite Studies aims to show that “all church members will share in the benefits and blessings that God will shower on faithful Anabaptist Mennonite congregations.”
A bottle of wine moves through Forgiven/Forgotten, the Mennonite Central Committee (MCC) Canada-sponsored play about restorative justice that premiered last month at the Conrad Centre for the Performing Arts in Kitchener, Ont.
Visual artists Miriam Rudolph and Bennie Peters explore their upbringing in Paraguay in the new art exhibit, ‘From Paraguay to Winnipeg: Explorations of Place, Home and Childhood,’ at the Mennonite Heritage Centre Gallery.
‘Working in the Garden’ by Bennie Peters. Peters, 32, works predominantly with paint on drywall to create his work.
Miriam Rudolph has spent most of the past decade living in Winnipeg, but Canadians often ask her what it’s like living in Paraguay, where she grew up.
My cousin Arthur’s book about clocks of the Russian Mennonites, and about Kroeger clocks in particular, is the result of a life-long labour. He is the last in a Krueger/Kroeger lineage over two centuries long who created and sold these artifacts, and then cleaned and repaired them in subsequent decades.