At a time when the world is once again gearing up for war, its horrors will be dramatized and brought home in Waterloo Region through an annual three-day international peace conference ending Oct. 19 with a rousing rendition of Benjamin Britten’s War Requiem by a mass choir and symphony.
Hans Werner uses his father’s stories to reflect on questions of autobiography and Mennonite identity in the 20th century. The stories of his father’s (and mother’s) experiences of growing up in difficult circumstances in Stalinist Russia, and their harrowing experiences during World War II, are told from the perspective of the son who is trying to understand his parents.
It’s an unusual place for an exhibition about peace. Instead of in a Mennonite institution, this exhibition is at the Canadian War Museum in Ottawa where permanent exhibit space has row upon row of war machines.
More than a thousand people saw the movie Peace Makers at the Theodorskirch during the first Night of Faith Festival that took place in Basel on May 17.
As Frances Ringenberg, left, a member of the pastoral team of Prairie Street Mennonite Church in Elkhart, Ind., greets Emma Sommers Richards at the celebration of the book about Richards’ ordination, Ringenberg said, ‘You were the first woman pastor I ever saw.’ Richards was pastor of Lombard (Ill.) Mennonite Church, where Ringenberg was a member b
By telling the story of the ordination of Emma Sommers Richards, a new book from the Institute of Mennonite Studies aims to show that “all church members will share in the benefits and blessings that God will shower on faithful Anabaptist Mennonite congregations.”
A bottle of wine moves through Forgiven/Forgotten, the Mennonite Central Committee (MCC) Canada-sponsored play about restorative justice that premiered last month at the Conrad Centre for the Performing Arts in Kitchener, Ont.
Visual artists Miriam Rudolph and Bennie Peters explore their upbringing in Paraguay in the new art exhibit, ‘From Paraguay to Winnipeg: Explorations of Place, Home and Childhood,’ at the Mennonite Heritage Centre Gallery.
‘Working in the Garden’ by Bennie Peters. Peters, 32, works predominantly with paint on drywall to create his work.
Miriam Rudolph has spent most of the past decade living in Winnipeg, but Canadians often ask her what it’s like living in Paraguay, where she grew up.
My cousin Arthur’s book about clocks of the Russian Mennonites, and about Kroeger clocks in particular, is the result of a life-long labour. He is the last in a Krueger/Kroeger lineage over two centuries long who created and sold these artifacts, and then cleaned and repaired them in subsequent decades.
What happens when an ethno-religious group feels their way of life is threatened? For over a century, before the October 1917 revolution in Russia, Mennonites in Ukraine had considerable independence in managing their own villages, churches, schools, and communities. As this way of life was threatened by a new Soviet regime, they sought a strategy for survival. And they prayed.
Elementary school student Lydia Herrle was thrown 25 metres after being hit by a truck as she stepped off her school bus in front of her family’s Country Farm Market on Erb’s Road near Waterloo in May. It took months before she came home from hospital and she has years of rehabilitation ahead of her. She and her family attend Waterloo Mennonite Brethren Church.
Ross Muir, managing editor of Canadian Mennonite, penned the lyrics to his blues’ opera, Job’s Blues, during one of the happiest times of his life, in 1988. The idea had been in his mind for a dozen years, ever since he had heard a twelve part sermon series on the Biblical book of Job while at the University of Victoria, B.C.
If the grim historical associations with words like “purity” and “cleansing” are any indication, then Sider is right to suggest that the church has had trouble reconciling the messiness of life with its concept of holiness. To See History Doxologically is a direct engagement with the tendency to sever holiness from the difficulty of life.