It’s an unusual place for an exhibition about peace. Instead of in a Mennonite institution, this exhibition is at the Canadian War Museum in Ottawa where permanent exhibit space has row upon row of war machines.
More than a thousand people saw the movie Peace Makers at the Theodorskirch during the first Night of Faith Festival that took place in Basel on May 17.
As Frances Ringenberg, left, a member of the pastoral team of Prairie Street Mennonite Church in Elkhart, Ind., greets Emma Sommers Richards at the celebration of the book about Richards’ ordination, Ringenberg said, ‘You were the first woman pastor I ever saw.’ Richards was pastor of Lombard (Ill.) Mennonite Church, where Ringenberg was a member b
By telling the story of the ordination of Emma Sommers Richards, a new book from the Institute of Mennonite Studies aims to show that “all church members will share in the benefits and blessings that God will shower on faithful Anabaptist Mennonite congregations.”
A bottle of wine moves through Forgiven/Forgotten, the Mennonite Central Committee (MCC) Canada-sponsored play about restorative justice that premiered last month at the Conrad Centre for the Performing Arts in Kitchener, Ont.
Visual artists Miriam Rudolph and Bennie Peters explore their upbringing in Paraguay in the new art exhibit, ‘From Paraguay to Winnipeg: Explorations of Place, Home and Childhood,’ at the Mennonite Heritage Centre Gallery.
‘Working in the Garden’ by Bennie Peters. Peters, 32, works predominantly with paint on drywall to create his work.
Miriam Rudolph has spent most of the past decade living in Winnipeg, but Canadians often ask her what it’s like living in Paraguay, where she grew up.
My cousin Arthur’s book about clocks of the Russian Mennonites, and about Kroeger clocks in particular, is the result of a life-long labour. He is the last in a Krueger/Kroeger lineage over two centuries long who created and sold these artifacts, and then cleaned and repaired them in subsequent decades.
What happens when an ethno-religious group feels their way of life is threatened? For over a century, before the October 1917 revolution in Russia, Mennonites in Ukraine had considerable independence in managing their own villages, churches, schools, and communities. As this way of life was threatened by a new Soviet regime, they sought a strategy for survival. And they prayed.
Elementary school student Lydia Herrle was thrown 25 metres after being hit by a truck as she stepped off her school bus in front of her family’s Country Farm Market on Erb’s Road near Waterloo in May. It took months before she came home from hospital and she has years of rehabilitation ahead of her. She and her family attend Waterloo Mennonite Brethren Church.
Ross Muir, managing editor of Canadian Mennonite, penned the lyrics to his blues’ opera, Job’s Blues, during one of the happiest times of his life, in 1988. The idea had been in his mind for a dozen years, ever since he had heard a twelve part sermon series on the Biblical book of Job while at the University of Victoria, B.C.
If the grim historical associations with words like “purity” and “cleansing” are any indication, then Sider is right to suggest that the church has had trouble reconciling the messiness of life with its concept of holiness. To See History Doxologically is a direct engagement with the tendency to sever holiness from the difficulty of life.
The theatre was dim. A projection screen showed an animated scene of a farm yard by night. The wind rippled through the trees and grass. Clouds blew across the moon. Crickets chirped in the background as the low voices of the patrons sounded like the voices of farm dwellers on the porch in the cooling evening after a hot day on the fields.
This painting by Ray Dirks tells the story of Agatha Harms Reimer who escaped from the Soviet Union with three sons after World War 2. It is part of the “Along the Road to Freedom” collection which opens at the Mennonite Heritage Centre Gallery on Sunday, Oct. 14. Agatha, the grandmother of Dirks’ wife, lived to be 103.
Ray Dirks, curator and artist, has embarked on a project to paint as many as twenty canvasses to tell the stories of Mennonite women who brought their families out of the Soviet Union amid the confusion and turmoil of the waning months of World War 2. The first selection will be ready for an opening on Oct. 14, at the Mennonite Heritage Centre Gallery where Dirks is the curator.
Alan and Eleanor Kreider, recently “retired,” have had a full life of ministry, mostly in the United Kingdom, but with influences throughout the world. Working in post-Christendom and postmodern Europe has given them foresight into what has been developing in North America. Some would see this as God preparing North American Christians with the prophetic and pastoral voice of the Kreiders.