One of today’s most pressing social issues came to life onstage late last year at Trinity Western University (TWU) with the world premiere of the original drama, disPLACE: Refugee Stories in their Own Words. The play was presented through Dark Glass Theatre in association with the university’s Humanitas Anabaptist-Mennonite Centre.
The Winnipeg Mennonite Theatre is a long-standing hidden gem of Manitoba’s fine arts scene. The amateur company is just that—a group of honest-to-goodness theatre lovers, whose Mennonite faith convictions enliven their artwork with a spirit of community service and vivid, conscientious story-telling.
Jane Austen once wrote that, for a developing writer, “three or four families in a country village is the very thing to work on.” While Steinbach, Man., is certainly no “country village,” culturally it retains much of its old small-town feel, as so many Bible-belt communities do. Perhaps this is why Steinbach has served local blogger Andrew J.
Yearning for eloheh (ae-luh-hay) is clearly evident in Randy Woodley’s new children’s picture book, The Harmony Tree, published by Mennonite Church Canada this year. Richly illustrated by Ramone Romero and with an afterword by theologian Walter Brueggemann, the story speaks about healing and community through a deeply rooted, God-centred indigenous view of creation.
Pennsylvania Dutch has often been ridiculed and viewed as a corrupted German dialect with a mishmash of English words, but author Mark Louden argues that it is actually a distinct language with a proud heritage. The fact that it continues to be spoken, living for hundreds of years within an English-language society, makes it quite remarkable.
David W. Shenk’s latest book, Christian. Muslim. Friend.: Twelve Paths to Real Relationship, comes at an opportune time for Canadian Christians, since the country has received more than 25,000 refugees from Syria since last fall. While Syria is a multi-faith society, the majority of these refugees are Muslim.